
The
colorful mosaic of Kerala festivals and fairs is as diverse as the land, is
an expression of the spirit of celebration, that is an essential part of the
State. Observed with enthusiasm and gaiety, festivals are like gems, ornamenting
the crown of Kerala tradition and culture. Round the year the fests keep Kerala
life vibrant and interludes in the mundane affairs of life.
Onam
- The National Festival of Kerala
Kerala's most important festival, honouring King Mahabali, a mythological king
of ancient Kerala, whose period was reckoned as the golden age in the history
of the state. He was the embodiment of virtues, goodness, so was his regime
which was marked by equality and harmony among people.
The golden age was abruptly ended when Mahabali was unseated by Vamana, the
dwarf incarnation of Vishnu. However, Vamana was lenient to accede Mahabali's
request that he be permitted to visit the land and his people once a year. The
time allowed for the visit was the 10th day in the month of Chingam, ( first
Malayalam month, August-September). His visit is celebrated as Onam which sync
with the harvest season in Kerala.
The 10-days festival is supposed to begin from the lunar asterism Atham and
culminate in asterism Thiruvonam.
Onam is marked by festivity. Keralites bash up the day. Flower carpet is being
prepared in the front yard of every house. Special prayers are offered in temples.
. Delicious dinner is the USP of Onam celebration. Traditional food is served
on plantain leaves. An emotional string is attached to this festival since Keralites
living elsewhere in the world make it a point to reach their native place to
join the gala.
The State Tourism Department has arranged several programmes to tap the tourism
potential of the season. A snake boat race is organized in Alappuzha Punnamada
lake. State's ethnic art forms are being presented in all important towns in
the state during the festival.
Thrissur
Pooram
The most spectacular spectacle in the state. This festival was introduced by
Sakthan Thampuran, the Maharaja of erstwhile Kochi state. Celebrated in Medom
(April-May) the festival parades the fulgent faces of Kerala culture. With every
passing year Tthrissur Pooram, the temple festival, attracts large masses of
devotees and spectators.

Of
the groups displaying their artistic prowess in the Pooram, the prominent are
Paramekkavu and Thiruvambadi. When Paremekkavu and Thiruvambadi vie each other
for their best performance, the connoisseurs of festivals are blessed with the
rare chance to enjoy Kerala's art and culture.
These temples organise impressive, awe inspiring processions starting from Krishna
temple and Devi temple. On the day before the closing of the pooram the groups
enter the Vadakumnatha temple through the western gate and come out through
the southern gate to parade themselves, face to face.Caparisoned elephants and
the exchange of parasols are other virtual feast to eyes.
The hours-long dazzling fire works submerge the Thrissur city in an ocean of
colour. The consummate pyrotechnics exhibited by the two temple groups paint
the Thrissur sky with flamboyant pictures. What unfurls in the dark sky will
be a rich tapestry.
The marvelous as well as magical effect of the Panchavadyam, a combination of
five percussion and wind instruments, is to be felt and enjoyed.
Although this grand festival is known as Thrissur Pooram, it is in fact the
conclusion of the eight day Utsavam of nine temples.
The commissioning of elephants and parasols is done in the utmost secrecy by
each party to excel the other. Commencing in the early hours of the morning,
the celebrations last till the break of dawn, the next day.
Easter
Easter is the oldest Christian festival, as old as Christianity itself.
The central tenet of Christianity is not the birth of Jesus, but his resurrection.
Easter is derived from this paschal mystery and from the events of Good Friday.
The content of Easter was gradually analysed into historical events and each
began to be celebrated on a different day. As a result, Easter grew into a Holy
Week and came to have a preparatory season to precede and a festive season to
follow. Thus we have four distinct periods in connection with the observance
of Easter -Services are held in the afternoon.
In most churches one finds a bitter drink prepared from leaves, vinegar, etc.
for everyone to taste after the service, Holy Saturday is a day of mourning
and wailing. A total silence reigns in the church from morning to dusk. But
by ten at night the church is full, to observe the Easter Vigil. In the gloom,
which envelops the church, new fire is struck from flint and blessed. A big
candle is then consecrated and from it is lighted many candles indicating the
resurrection. Bells peal, music fills the air and light

floods
the hall. Halleluyah is the joyous word of Easter wish. Easter Sunday is a quiet
day and the celebration is rather spiritual and inward rather than social showy.
There will be a grand dinner at homes and visits of relatives.
Aranmula Uthrittathi
Jalolsavams evoke the waves of enthusiasm in the minds of Southern Keralites.
its history is flirting with, paddling with river gods.
Down the years the boat race has accrued sporting value and tourism importance.
For ages, Keralites have cherished a reverential attitude to rivers. It is the
apt time for Keralites to hold the Jalotsavam (water-carnivals). Boat race is
in a way a display of physical might of the people who forget their differences
in partaking of this sport.
The famous snake boat carnival on the Pampa, held annually at Aranmula on the
day of Uthrittathi asterism, in connection with the Onam festival is to commemorate
the crossing of the river by Lord Krishna on that day. The deity is supposed
to be in all the boats that take part in the carnival and all of them are expected
to arrive a t their destination simultaneously. There is thus no element of
competition in the Aranmula Boat Race as in other regattas held in this district
and elsewhere. The race is not conducted to win any trophy or prize. The crew
regards the occasion as one for rejoicing and merry-making and cheerfully row
up and down the river to the tune of songs.
The people of Central Travancore and special boats and buses ply to carry the
people to witness the event. During the races, the banks of the river on either
side, for a distance of about three kilometers, would be thronged with millions.
In recent years, the festival attracts spectators from all parts of the world.
The Valla Sadya is an important vazhipadu (offering) in the temple on this occasion.
The snake boats at the Aranmula regatta present an enchanting as well as imposing
spectacle. They are of extraordinary shape. About 100 ft. long, the end of the
boat is curving upwards with the front portion tapering gradually. The rear
portion would be towering to a height of about 20 feet. The boats resemble snakes
with their hoods raised. Crews of over hundred men vying to win the coveted
trophy, attract spectators from all over. The occupants carry banners and ornamental
umbrellas of silk and gold. It is doubtful whether there is any other national
festival resplendent with such an aura of spiritual devotion, endearing friendship,
sportsman spirit, majesty and rapturous delight as the Aranmula boat race.
Similar Snake-boat races are organized at Champakkulam and Paippadu in Kuttanad,
the rice bowl of Kerala, during the Onam days.